Indian movies

Gandhi has always been compelling complex and strangely contemporary. Sir Richard Attenborough introduced "Mahatma" the great soul to the west and the world remains grateful to him. I grew up understanding Gandhi through others; till I discovered a deep would he carried i his heart. Somewhere in the shadows of this great man lived his son, roaming the streets of India like a beggar. Converting to Islam as a rebellion, reconverting to Hinduism as a penance and finally drinking himself to death. Harilal Gandhi, Mahatma Gandhi's eldest son carried his Gandhi identity as a curse around his neck. Mahatma Gandhi could transform the soul of a nation but could not save the soul of his own son.

The unfolding of a personal tragedy against the racial hatred in South Africa and colonial humiliation in India moved me deeply. Finally my search to know the human side of Gandhi took me to Douth Africa, to different parts of India, libraries, scholars and his immediate family memvers. I then decided to make a film about a principled father and an unfortunate son. To me, Gandhi beeame a greater human being as he struggled personally, socially and politically, but always put his principles and quest for human dignity above everything else.

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Synopsis

Jo nahin ho sakta hai, wahi to karna hai...

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality.

The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India?

Mujhe sirf ek mulk ka naam sunaai deta hai –India

The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible.

Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can.

Chak De India is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. A story to remind the nation of its National sport.

Character Sketch

The Coach

Shahrukh Khan as Kabir Khan

Once the hero of Indian Hockey, the best centre forward in the world, the man a nation found a hero in. And the man it sentenced to hell.

Now he has decided to make a last comeback to the game he once loved, to reclaim his lost honour and prove his point to the nation he still loves.

By doing the impossible.
Making a rag-tag bunch of loser girls a team.
And the World Champions.
The only problem is – it is easier said than done.

The Girls

Preeti Sabarwal

Position: Center Forward
Jersey Number: 9
Home State: Chandigarh

Preeti went to the best public schools, but on her way to the U.S. from there, took a sharp left towards the Punjab University and its hockey team for reasons best known to her. Chandigarh captain, she looks like a Princess and plays like the Terminator. The only one she is close to is her iPod. Would you then blame the rest of her mostly rural team-mates for calling her mem? She has a secret, but then, that's a secret.

Komal Chautala

Position: Right In
Jersey Number: 8
Home State: Haryana

The Rohtak Express, also known as chhokra in her village for her tomboyishness, and as chhipkali in the field for her devious dribbling. Born to tough Jats, she has just one regret -that she wasn't born a boy. But she's doing all she can to make up, including not using make-up. Ever.

Bindia Naik

Position: Center Half
Jersey Number: 5
Home State: Maharashtra

Experience corrupts, and too much experience corrupts completely. A veteran of field positions, federation politics and award manipulations, she could make any team's dirty tricks department proud, if she wasn't the department herself in real life.

Vidya Sharma

Position: Goalie & Captain
Jersey Number: 18
Home State: Madhya Pradesh

Just married. And it already looks like she will have to divorce hockey. She knows this is probably her last tournament but can she give up hockey for marriage?

Balbir Kaur

Position: Left Defender
Jersey Number: 3
Home State: Punjab

Known as tataiya, bhootni, rakshas and ghatotkach on any given day depending upon what she has done lately, everybody in the team is terrified of her temper. Fearless, sometimes to the point of being brainless, she is the team's main hope against the giant Australian girls and the ruthless Argentinean zagalonas. Heart of gold, in a body of armour-plated steel.

Aliya Bose

Position: Right Out
Jersey Number: 7
Home State: West Bengal

Sexy Aliya should have been born in the swinging seventies. The world is a winery of boys and she is the taster-in-chief. And she takes her job very seriously. In her spare time she also plays hockey. Unfortunately, she is good at it and so year after year, team managers and coaches have tolerated her.

Gunjan Lakhani

Position: Right Half
Jersey Number: 4
Home State: Andhra Pradesh

This Hyderabadi potti has seen it all, because she knows when to shut her eyes. Playing with seniors Bindia and Aliya has taught her only one thing there are more games off the field than on it. And a smart player knows how to stay out to stay in.

Rani Dispotta

Position: Right Defender
Jersey Number: 2
Home State: Jharkhand

Rani still remembers the time she moved from her jungle village to Ranchi Sports School. And that makes her an expert on how to handle the city-breds, or manhandle them if need be. She knows enough Hindi to offend anyone and enough English to defend herself, especially on the field.

Soimoi Kerketa

Position: Substitute
Jersey Number: 17
Home State: Jharkhand

From Jharkhand Grameen Adivasi Balika Kalyan Kendra Vidyalaya on the edge of Ghamorni jungle, straight New Delhi. Dicey Hindi and devious English confound her as much as hair-raising roads, blood-curdling cars and monstrous skyscrapers. Not to mention the other creatures around her who call themselves girls. But she knows what to do with a stick and a ball. That she knows.

Nethra Reddy

Position: Left Out
Jersey Number: 11
Home State: Andhra Pradesh

The grounds-man's little daughter who grew up in stadiums among players and dreamt of being one herself. All she ever wanted to do was to make her dad proud and finally, she's an inch away from her dream...

Gul Iqbal

Position: Left In
Jersey Number: 10
Home State: Uttar Pradesh

Hockey legend Mohammad Iqbal's grand-daughter. Her family's history is Indian Hockey's history. And nobody ever lets her forget that. Whether she wants it or not.

Molly Zimik

Position: Left Half
Jersey Number: 6
Home State: Manipur

Mary Ralte

Position: Substitute
Jersey Number: 15
Home State: Mizoram

The talented hockey duo from the North East. Their school books taught them that they are Indians but Indians taught them otherwise. The only reason they play for the National team is that it is the only National team they can play for. They would love to belong but not to the team that calls them 'foreign', and definitely not to the people that call them 'loose'. So they stick together and play. For the love of the game and the honour of their people.

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Some do's and don'ts you need to follow while watching PARTNER…

• Lock your brains in the almirah, before you head for the nearby movieplex to catch this zany entertainer.


• Don't look for logic. Don't ask questions. Don't raise eyebrows. .


• Don't argue with what the master chef David Dhawan serves on your plate. .


• Do carry some earplugs/earwax if you're allergic to noise. The cineplex will reverberate with high decibels of laughter, which could tax your ear-drums if you're overtly sensitive. .

Welcome to PARTNER, David Dhawan's new comic caper. It's stylish, it's crazier, it's a bigger entertainer than David's last two laughathons, MUJHSE SHAADI KAROGI and MAINE PYAAR KYUN KIYA. Making people laugh is an art and David has mastered this art over the years. Like wine, he has only matured with time.

Let's come straight to the point. PARTNER is for those seeking non-stop entertainment. It's targeted at those who swear by masala films. Those who want to get transported to a world of make-believe in those 2 hours. It's definitely not for those who actually know what to expect, but pretend to rubbish escapist cinema. Also, it's not for certain critics [looking for art cinema in a masala entertainer] whose star ratings are a much bigger joke than the one David Dhawan pulls off with élan. The film works, and works big time.

In a nutshell, if you're into escapist cinema, if you're looking for laughter unlimited, if you're curious to watch the bonding between Govinda and Salman Khan, if you're a big fan of David Dhawan movies, if you believe in shelling out Rs. 150 for a ticket and expecting entertainment worth Rs. 200, PARTNER is just for you!

Prem [Salman Khan] is a 'date doctor' who, for a fee, has helped hundreds of men woo the women of their dreams. In his childhood, he understood a woman's likes and dislikes in food, clothes or men. His aim is to help those men who like or love women, not to take them to bed.

The ultimate professional bachelor, Prem discovers that his tried and tested tricks are no match for Naina [Lara Dutta], the one woman he truly loves, who works for a newspaper as a journalist.

He comes across Bhaskar [Govinda], who is in love with Priya [Katrina Kaif], the rich and famous daughter of a tycoon [Dilip Tahil]. Prem helps Govinda find his lady love and eventually also finds a soulmate in Naina.

Inspired by director Andy Tennant's likable Hollywood hit HITCH [2005; Will Smith, Eva Mendes, Kevin James, Amber Valletta], PARTNER is a true-blue David Dhawan film. It's glossy, has some stunning visuals, boasts of very catchy and hummable music and of course, hardly has any tense moment in those 16 reels.

What works is the casting of the two characters, who're as dissimilar as chalk and cheese. Although the romantic portions have the right chemistry between Salman and Lara and Govinda and Katrina, the USP is undoubtedly the terrific bonding between Salman and Govinda, whose on-screen escapades take the film to dizzier heights. Besides, the witty one-liners [Sanjay Chhel] are another ace that has the viewer in splits. The dialogues are truly funny and actually accentuate the impact of every sequence.

Any 'hitch'es? Yes, there's one! The track that leads to the misunderstandings in the climax looks unwarranted. Writer sahib [screenplay: Yunus Sajawal, David Dhawan], this track [Rajat Bedi, Aarti Chhabria] compels you to break into a yawn. Also, it adds to the length of the enterprise. But the subsequent portion [Govinda's honeymoon travails] is rip-roaringly funny.

David Dhawan gets it right yet again. He's on familiar ground and like a seasoned cricketer knows the game inside out. He hits a boundary yet again. Sanjay Chhel's dialogues are superb. Sajid-Wajid make a terrific comeback, with every song having the stamp of a chartbuster embossed on it. Even their picturizations [choreography: Bosco-Caesar] are excellent. Cinematography [Johny Lal] is first-rate. The film bears an opulent look all through. Costumes of Salman and Govinda [Alvira Khan Agnihotri] are stylish.

The question is, who steals the show? Actually both! Salman performs like never before. Sure, he looks dapper [one compliment he's heard umpteen times], but he packs in a solid punch whenever he's on screen. His fans will only multiply with this film. Govinda sets the screen blazing with an incredible performance. Although the actor has featured in a few films after a hiatus [BHAGAM BHAG, SALAAM-E-ISHQ], PARTNER is his comeback film. He has the viewer eating out of his hands actually. Those who felt that he's a spent force will have to eat back their words.

Lara Dutta looks gorgeous and pairs off very well with Salman. Katrina Kaif looks gorgeous and pitches in a natural performance. Rajpal Yadav is really funny. Puneet Issar is alright. Dilip Tahil is okay. Suresh Menon is excellent. Child artiste Ali Haji is wonderful. His confidence level is astonishing!

On the whole, PARTNER is a winner all the way. This one's a laugh-riot that will have the viewers laughing in the aisles and its distributors, laughing all the way to the bank. A sure-shot 'Hit'.

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Aditya (Fardeen Khan) is living every man’s dream. He’s got a beautiful, traditional wife (Isha Koppikar) at home and a stunning wildcat girlfriend (Esha Deol) at work. Balancing the two women with clever lies, he gets to experience the best of both worlds.

The going is good. Till his girlfriend shocks him with the news that she is pregnant. Aditya is cornered. He has to confess to her that he cannot leave his wife as he has been promising her all along. His girlfriend is devastated. She flies into a rage. A brutal fight ensues, in which she accidentally dies.

Terrified, Aditya disposes of her body and returns home, thinking that the worst is behind him. But he couldn’t be more wrong. For the nightmare has only just begun. His wild girlfriend is back as a ghost. And she will stop at nothing till she gets her revenge…

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Cast
Akshay Kumar as Aroush
The confident, carefree 'man about town', who beds girls with abandon and then abandons them, But then one such causal encounter turns serious and he doesn’t know how to deal with the consequences.

Fardeen Khan as Al
Fardeen Khan is Ali popularly knows as Al. He loves to gamble. If his winning ratio with the girls is 100%, his losing ratio is equally good or bad, depending on which side he's betting on.

Riteish Deshmukh as Tanmay
Greatly in demand as Eddie Teddy, the party entertainer. He likes to play with the babes and the babies but that’s for work. He also loves to play with the babes and that’s strictly for pleasure.

Vidya Balan as Esha
She has no intentions of falling in love till she meets the man of her dreams. But the dream turns into a nightmare and she turns into an angry young woman thirsting for revenge.

The story
Three handsome Sydney bachelors Aroush Tanmay and Al - are having the time of their lives in Sydney. They flirt around, sleep around and have numerous 'gorgeous' conquests to their credit. Aroush's (Akshay Kumar) only grouse in life is that there are so many women. So little time since he's getting plenty of action in the nightclub where he works. If Tanmay (Riteish Deshmukh) has a blast playing Eddy Teddy at kiddy parties and playing around with the yummy mummies; then Ali - Al (Fardeen Khan) gambles for a living and grumbles that his biggest strength is his weakness for women!

They suddenly find their dating and mating rituals irreparably destroyed when a dimpled little roommate lands up on their doorstep - complete with her crib. Pacifier and dirty nappy, Aroush. Tanmay and Al know a thing or two about women; but when it comes to babies, they're total zeroes and this bouncing bundle of joy is anything but joyous. But then Angel works her charm and before long, the three lecherous bachelors have been transformed into loving, caring fathers.

But beautiful Esha (Vidya Balan) will have none of it. She’s known heart break once and will do anything to avenge that betrayal. And if it means breaking the hearts of three men who've finally discovered they possess one - then too bad!

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Assemble the best comedians on one platform, choose a script that gives them scope to display their inherent talent, garnish it with witty one-liners, borrowing names and references from real life to make it look contemporary. Presto, a comic caper is ready to be served!

JOURNEY BOMBAY TO GOA could've been a howlarious ride that starts off in Mumbai and concludes in Goa, but all you carry home are a few amusing sequences and the well-penned, laced-with-wit dialogues.

Problem kya hain? The screenplay. There are points in the narrative that prompt guffaws, chuckles, giggles and chortles, but the narrative is stretched to a point that you get restive and fidgety. Woh isliye, because monotony seeps in after a point. Another area that should've been controlled is its length. The climax especially is reminiscent of the chase in HERA PHERI and PHIR HERA PHERI. Interesting concept, but why go on and on?

In short, JOURNEY BOMBAY TO GOA is aimed at the hoi polloi, the masses, the aam junta and for them, the journey to laughterland may be worth it.

JOURNEY BOMBAY TO GOA is the story is of Lal [Sunil Pal] and Das [Vijay Raaz]. Lal is a dreamer who wants to become big in life and start his own business. Das is a driver, who used to work for a rich businessman, but an irritating boss' nagging habits force him to quit his job.

Lal wins Rs. 2 lacs by winning a contest and the duo plans to set up a business. Das comes up with an idea to start a travel agency. But they don't have enough money. So they go to Chor Bazaar. Using spare parts of old cars and imported cars, they create a bus. The next task is to search the passengers for a ride to Goa.

Lal finally manages to get 15-16 passengers by offering them a discount. But the bus is so tacky that the passengers demand their money back. Das comes up with an idea and states that this is merely a pick-up bus. The journey begins!

One of the passengers [Mac Mohan], who had been abducted but has now escaped, meets with an accident and dies midway. But before he breathes his last, he tells the fellow passengers about the hidden treasure…

With so many comedians around, the writing focuses on hilarious situations and one-liners. The motive is to make you laugh. A few sequences do succeed, a few don't. In an effort to pack just about everything on the shelf, the writer seems to have overlooked the fact that you need to tell your story in the shortest possible time. Sure, a few scenes are well penned, by why stretch the film unnecessarily? It dilutes the impact!

Comedy is serious business and not all storytellers can pull it off. In that respect, director Raj Pendurkar shows a flair for comedy. In fact, he has the potential to make aimed-at-masses entertainers in the future, but a tight script is all he needs to concentrate on. On the music front, there's just one song that stays in your memory -- the title track. Cinematography is okay.

The actors do well in their respective roles, but the ones who register an impression are Raju Shrivastava, Sunil Pal, Vijay Raaz, Sudhir Pandey and Aasif Sheikh. Tinnu Anand, Shakti Kapoor and Asrani don't get much scope. Mac Mohan is alright. Sanjay Mishra goes over the top.

On the whole, JOURNEY BOMBAY TO GOA is a fair attempt that may appeal to those with an appetite for comic capers. At the box-office, the extra-ordinary promotion [quality as well as quantity], especially on television, should attract footfalls at mass-dominated screens and centres.

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Zaid Ahmed (Muzamil Ibrahim) is a bright, young Muslim police officer in Mumbai. Dedicated to his work, respected and admired by his colleagues and community, he represents integration at its most successful. He has learned to live with the violence and the chaos that plagues his city, and on the night of a deadly bombing at the New Century club, he works tirelessly to help the shocked and shattered patients brought to the hospital.

But this night of turmoil and death takes a horrifying personal turn. His wife’s body, the beautiful mysterious Sarah (Tulip Joshi) is found amongst the dead, with massive injuries. Things turn even more horrific when the police coldly announce that Sarah’s injuries were typical of those found on fundamentalist suicide bombers. As evidence mounts that his wife, Sarah, was responsible for the catastrophic bombing, Zaid is torn between cherished memories of their years together and the inescapable realization that the beautiful, intelligent woman he loved had a life far removed from their comfortable, assimilated existence together.

From the opening of the film to its searing conclusion, Dhokha displays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias and hatred, intensely thoughtful, sensitive and felt, it displays a profound understanding of what can seem impossible to understand.

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